Director Vinil Mathew on eight years of ‘Hasee Toh Phasee’: We weren’t making an announcement on psychological well being or infidelity, love is blind – Occasions of India


Parineeti Chopra and Sidharth Malhotra starrer ‘Hasee Toh Phasee’ is among the many heart-warming romantic comedies of Bollywood that also stay an evergreen selection among the many viewers. The movie lately marked its eighth anniversary and on this event, ETimes had an unique dialog with director Vinil Mathew who rightfully takes the credit score for ‘Hasee Toh Phasee‘ and says he’s wanting ahead to ‘Gehraiyaan’.


eight years of ‘Hasee Toh Phasee’. Are you celebrating with one other large announcement?

Oh, properly, I want I may try this. I’m overwhelmed with the sort of love the movie is getting more and more over time. All of us need to do one other model or sequel for it. However I feel each Harshavardhan Kulkarni who wrote the story and I agree that we don’t need to make one other story only for the sake of it. After we discover a good story that can do justice to ‘Hasee Toh Phasee’ then solely we must always take into consideration a sequel or announce one thing, until then we’ll preserve making an attempt. I don’t know after we could make that announcement but when it occurs, will probably be nice!

Does it convey again any particular reminiscence?

Yeah, I feel I sit up for this anniversary date now. Yearly individuals who have beloved the movie, begin trending it on Twitter and different social media platforms. I feel it simply may be very heartening to see the sort of find it irresistible’s collected over time. Individuals who didn’t see it within the theatres finally noticed it on tv or OTT platforms, and so they beloved it. And, you recognize, the truth that one may preserve remembering the tune or the movie theme, it’s very satisfying. It’s fairly private for me as a result of this has occurred so many occasions, particularly throughout the first wave of the pandemic, lots of people who had been caught at residence messaged me on social media that they might relate to the movie.

Do you assume Sidharth and Parineeti have advanced as actors, now that you simply see their movies?

I have not labored with Sidharth on a movie after ‘Hasee Toh Phasee’. However, I am positive that with each movie, each particular person grows. Once I made the movie, I knew Parineeti was at all times somebody on my want record. She is likely one of the uncommon individuals who’s not solely a superb actor, however she has very nice comedian timing. Holding in thoughts that the character has to make the viewers cry and snigger on the identical time, I felt that she was the one one that may do it at the moment. Parineeti is a born actress. You understand, she was good from the start.

For Sidharth, it was his second movie. Clearly, he has grown leaps and bounds and once I noticed him in ‘Shershaah’. I am positive, due to this fact, like all people, they grew with every movie. Once I see each of their movies now, like, be it ‘Shershaah’ or ‘The Lady On The Practice’, there was such a giant progress.

The movie focuses on Parineeti’s character falling in love along with her sister’s fiance. This type of reminds us of the quickly to launch ‘Gehraiyaan’! Is not it uncanny? What are your ideas on infidelity and fashionable relationships?

I haven’t got an moral tackle it. Love is blind, you possibly can’t assist your self from falling in love. And generally it does result in messy conditions with every kind of issues, however within the case of ‘Hasee Toh Phasee’, our perspective may be very clear. The concept was that the character of Nikhil (Sidharth Malhotra) falls in love with Meeta, regardless of being in a relationship with Karisma for seven years.

In fashionable relations, folks say that you must work at relationships, you must make it work. And our take was that why do you must make it work? You need to be loopy about love, due to this fact, it should not really feel such as you’re doing a little job that wants a lot effort. The movie’s perspective was actually an quaint idea of affection the place the character finds love in seven days after being in a relationship for seven years and nonetheless he wasn’t positive in the event that they had been in love or they had been simply habituated with one another. All in all, generally love takes completely different paths and I don’t assume we had an ethical judgement on infidelity there.

In fact, my tackle it personally can be to not do it in actual life however there was a climax scene the place Adah Sharma’s character Karishma says, ‘For those who break the connection proper now, it is only a breakup. However after marriage, it turns into a divorce.’ So our take was that love can’t be a burden or chore. You need to be loopy about it. On the identical time, you ought to be true and sincere about your individual emotions.

With ‘Gehraiyaan’, I don’t know what precisely the connection scenario goes to be there. Shakun is an efficient buddy and I will likely be watching it quickly.

The movie additionally talked about psychological well being and despair. How essential do you assume it’s, as a filmmaker?

After we made the movie, it was, in fact, an harmless time. We had been essentially not making an announcement on psychological well being. It’s nearly a lady who was very lonely and didn’t discover love from folks. She was completely different from others and selected her personal path.

Whereas we do not assume our intention or our focus was to speak about psychological well being as a lot as a few lonely particular person, it was fairly targeted on two misfits who perceive one another. In fact, she does take these anti-depression capsules in a single scene, however it was by no means a critical take, or an announcement on psychological well being. When a movie is out of your arms, it’s as much as the viewers. I do know lots of people who additionally felt that there was a contact on psychological well being however that wasn’t the intention.

However I feel within the present occasions, it is essential for a filmmaker to be accountable as a result of all the things leaves such a deep impression and influences the viewers. And I feel, at the moment, if I make a movie, I’d be much more delicate and cautious as to what assertion my group would make, both, immediately or on the sub-conscious stage. All of us have a accountability as filmmakers to place out the conversations appropriately. All of us at the moment are extra delicate, conscious, and cautious about such matters.

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